In this essay, I discuss the use of lighting in the opening scene of The Godfather. The Godfather Plans as a whole are arranged and used explicitly to create states of mind and have an extraordinary mental effect. This is also true for the first set of shots in the film, and perhaps more significant since these first shots will give the crowd the underlying feeling of the film and give a rhythm to the image. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay The first shot is exceptionally moving in the lighting strategy, and viewers are quickly drawn in by the details. A man begins to uncover the intricacies of a deplorable event that happened to his granddaughter. We don't see who he's talking to. A spotlight that legitimately shines above the man's head, most of the lighting is used on the man. This really lights up the highest point of his head, which is uncovered, but there is no burnt spot, overexposure, or mirrored light reflection from his bald head, which is a good sign because it doesn't does not take away the public's attraction to the man. performance. There is a darkness under his eyes caused by the lighting, which accentuates the anger and ultimately contempt for what he is talking about. In this scene the main focus is on the man, which is why you will find the man lit but not so much the background. Despite the fact that it is not real, because this or that great film relies intensely on our desires and our creative spirit to convey a message or importance. As a group of viewers, we recognize elements that aren't real, in case they help make the story even more immersive. There is another light placed in order for the man to have a notable feature in the center of his dark eyes, as shown in the image below. This characteristic region of his eye is the part of the case that presents the most contrast, so normally the crowd is mesmerized by the man's gaze, furthermore, when the man looks into the camera this is also achieved. As the man speaks, the camera slowly pans back and the remaining background becomes exposed. We would now be able to see part of the back and side of the Godfather who is Marlon Brando, but we have a slight feature of Brando that is not in focus, known as an over the shoulder shot, like we see it below. Currently the man stands up and walks around the table and now he is part of the darkness on the Godfather, we are made to believe that there are two characters in this scene. At this point, the shot is different as the man moves away from the Godfather, and it is a medium close-up shot of the Godfather, as seen below. This MCU is brighter than the previous shot showing the Godfather's side. Where the over the shoulder photo was dark without any detail, but this photo shows the objects and background. The lighting set on the Godfather is fill, highlight and back lighting and his character is revealed very forcefully in the light. emotional light that changes from one shot to another. As the shot cuts back to the man, in an over the shoulder style (Brando), again the background is completely dark. Having the man in this specific light and having Brando lit in the way he is serves two mental needs. To begin with, having a dark, stable base behind the man insulates his worry and makes us aware of how consumed he is by his worry. It's dark, dark, and he's in a world of darkness.