Crime and Punishment Part Two: EssaySay no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay In the second part of Crime and Punishment, the reader sees a continuation of many of the themes presented previously, but in a new and more extreme environment. While Raskolnikov tries to stay away from the accusations, he continues to distance himself from those who would love and help him, and hides his emotions from them, like the evidence he watches so closely. Rodya is protected by pure fortune throughout the text of Part Two, and it is clear that in the beginning, middle, and end, his isolated lifestyle, even in the weakness of his reason, protects the facade of his innocence and spares him judgment; at least for a while. Flipping through the pages of Part Two, it is clear that Rodya's mental and physical state has deteriorated as the guilt of his crime weighs on him, eating away at his sanity and sanity. Indeed, if he is obsessed with hiding such guilt - clinging to bloody rags even in his sleep, abandoning the spoils of Alyona's house, questioning everyone about what he knows when the murder comes up in the conversation - he is also tormented by it, desperately wanting to reveal his secret. " But such despair and, if one may say so, such a cynicism of perdition which suddenly took possession of him, that he waved his hand and continued. "Only, let's get it over with!..."... Yesterday, when he came around the corner, he looked at this house with tormented anxiety... and immediately looked away. "If they ask, maybe I'll tell them," he thought to himself. 'approaching the station... He "I'll go in, get on my knees and tell them everything..." he thought as he went up to the fourth floor "P.94Rodya's conscience begs him all the way. novel about asking nothing of anyone. be moral and give up this terrible crime so that at least he can have mental peace. However, Raskolnikov's dualism also works against him in that his "reason and will" cannot give up his secret, but rather need to feel that he has gotten away with it. This emotion versus reason creates a very nervous and confused Rodya throughout the text and he often panics, obsessing over the details of the murder, and other times gives up, hoping that someone will catch him and his torment will end. . By hiding these precious pieces of evidence, Rodya must remain as alienated as possible, because he cannot control his outbursts (as is repeatedly demonstrated during his outbursts in front of Zossimiov, Natasya and Razumikhin), so he must control his Company. Even in the heat of his illness, when delirium threatens and he cannot care for himself, he tries to drive away even the few people who would help him. Razumikhin does not give up, however, and he, Natasya, and Zossimov are determined to help Raskolnikov against his will, even dressing him as he fights to the point of tears for them to leave. Rodya's paranoia that he might be found out makes him think about the details and evidence against him and that if anyone stayed close to him or moved past his rational to emotional, it would surely implicate his guilt . His reason and will fear his uncontrolled emotional side, wishing not to repeat scenes like that at the police station where he makes himself emotionally vulnerable to strangers. Towards the middle of the section, it seems that Razumikhin and Zosimov are close to understanding Rodya's behavior. the whole murder as Razumikhin accurately depicts Rodya's clumsy and botched murder scene. “But that’s not the case, that’s precisely the point!” ?.