In section 7 of Out of the Blue, Armitage creates a tragic tension, this section describes the panic experienced by the workers of the Tower after the plane hit and commemorates the experience of those who were in the towers, making the reader contemplate its legacy. Graphically the section looks solid, but in the prose the shattering impact of the plane on the building is depicted. The end of this section creates a break as the English Trades are trapped with now the chance to escape, setting the tone of desperation that explains the Trades' actions in the final section, while facing inevitable death. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay The structure of this section is a continuous stanza, made up of many imperative sentences. Armitage, like Shakespeare before him, uses prose to illustrate the helplessness of realistic characters. It can be interpreted that the shape represents the towers before the plane's collision, with each sentence undoubtedly reflecting in miniature the individual floors. As the stanza is uninterrupted, there is a feeling of solidity comparable to the image of the global success of capitalism symbolized by the Twin Towers. The character's experience is written in the first person, allowing the English trader's experience to reflect the wider experience of the victims. The continued use of short phrases in a prose poem, such as "Call home." No way” creates a frenetic pace that, read aloud, seems disjointed. This reflects the sudden nature of the attack, which elevates the mood from the haunted feeling of section 6 to the panic and despair that comes with the realization of entrapment. It can be interpreted that mirroring is used to foreshadow the second attack. In section 9, the word "mirror" is used to describe the attack on the North Tower and the structure of section 7 is a reverse reflection, like a mirror, which connects the result of the first attack with the result of the first attack. second attack. At the end of section 7, there is an additional repetition of two sentences: “stay seated for now.” To go up. Get off” – creating the feeling that the character's options are narrowing, emphasizing the panic as the character is unable to think rationally. By reiterating the same choice, it suggests that he is not willing to give in. The expression “Come up. Get off” is an oxymoron, which reinforces the feeling of disorder because the conflicts within the lexicon almost cancel each other out. The end point after "Go up" is not apparent in other repetitions, which adds to the character's sense of frustration. This creates a peak in the poem that contrasts with the reflective tone of sections 8 and 13. The reflection creates an image of the section turning in on itself; just like the tower, which creates a feeling of universal upheaval. The international scale of disorder is present through Armitage's use of international pronouns and place names, such as "Abdoul" in section 6, as well as through the image of "Brighton" in section 4 which develops the image of the terrorist attack as a terrorist attack on a global level. capitalism and not just an attack on America. In section 7, the voice shifts from passive hope to frustrated sadness. The voice's use of dark humor depicts abandoned hope; the horrified joke “With what?” With what – with a magic carpet? illustrates his frustration. “Magic carpet” humor presents the hope of escape as a fantasy. The use of an image taken from a children's film creates a stark contrast between tales offairies and reality. The repetition of the alliterative "w" produces a whispering tone which conveys a feeling of nostalgia, this is emphasized by the middle pause creating the feeling that the character has struggled to complete his thought by admitting defeat. Armitage also uses chiasmus creating interline reflection as if confusion is taking over the character. This reflects the change in personality from the optimism of section 6, where he states that a colleague "is also due to get married in a month." The fact that he says "is" instead of "was" speaks to his now unsuccessful belief that they will live, which progresses toward the realization that their fate is sealed. Another key theme of this section is division, for which Armitage uses linguistic choices. to transmit. The phrase "use a skirt, use a shirt" creates an inner rhyme between "skirt" and "shirt", connecting the two garments that symbolize the office environment and genders. Skirts are symbols of femininity that oppose the masculine shirt, the removal of these elements creates a feeling of frenzied abandonment of their office personas. The connection between the two genders creates equality, showing that in tragedy and death, divisions do not matter. This contrasts with the inequality created in section 4, since the male character speaks of “my wife” who is at home; create a feeling of patriarchy. Section 7 progresses the poem from the inequality of work to the equality of death, allowing the reader to connect to the events. The theme of divisions is reinforced by Armitage's personification of a telephone claiming that it is "dead". The word “death” creates a sense of loss, which describes the power of the phone and the connection it provides with the outside world. This can also be interpreted as a foreshadowing of the many lives that would be lost due to the attack and the war it entailed, since Armitage is writing in hindsight. Armitage uses stops to create separation, ending this section with a “Go Down.” the literary break reflects how individuals were separated from those on the ground by the physical and emotional separation created by the tragedy. Which reflects the final division created by death. This sense of loss for those who survived is embodied in Section 13, which takes place five years after the attack. This loss created a significant division both through the time that has passed and between death and life. One of the implicit themes of Out of the Blue is amoral capitalism and its influences on society. In section 7, this theme is strongly criticized. The oxymoron used in this section “Move. Don’t move” to reflect the panicked internal conflict of the speaker and those around him, who criticize authority because the contradictory instructions are useless. As the authority fails to find a solution to the problem, it can be interpreted as a sign of its failure, because despite its attempts to provide for everyone, capitalism fails many citizens, just as instructions fail not to save lives. This critique of capitalism opposes the pedestal on which the character holds capitalism; in section 3, he triumphs by “selling sand to the desert”, the alliteration of the “s” underlines the pride he takes in the corruption of capitalism. The vision of capitalism's progress in section 7 shows how capitalism led to chaos, which is crucial to the conclusion of section 13 in which there is a haunting reflection of the physical and emotional isolation caused by the growth of capitalism. 'greed. mind: This is just a sample. Get a personalized article from our expert writers now. Get a personalized essay.