I think a lot of music today tends to evolve too quickly, and I think a lot of people like that. Feeling a little more bitter when a minor song is played, then immediately moving to a more positive place if things get major. But I also think that for many of us, sometimes we don't want to get too emotional, and that's where low fidelity also known as lo-fi music comes in. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an Original Essay The world in many ways is moving too fast, go anywhere online and information is constantly flooding at you and a lot of it turns out to be bullshit, but we're okay with that. As long as there are tweets, comments on our Instagram photos, replies on our Discord, we are safe and socially surrounded and there is no difference in the Billboard Hot 100 music chart. All music is surrounded and filled with shifts in tone, shifts in style, shifts that evoke shifts in feelings and everyone who listens. There's clearly a reason for this: it's what people want. It wouldn't be as popular if it didn't, but like I said earlier; people don't want that all the time. I think it's necessary in any situation for people to have contrast, it's the only way to find a balanced median. So in a world where movement is hot, I think a lot of people are looking for a contrast that's cool with calm, something that's not. so moody and changeable, something grounding and repetitive. I think we can find this in lo-fi hip pop, I know it's because it's really easy to achieve and most Soundcloud artists loop the sample over and over and the repetitive comes out of laziness . But repetition generates a certain aesthetic, one that coats the ears and surrounds them. A lot of this comes from the type of artists the lo-fi producer samples. For example, in J Dilla's The Look of Love, he samples jazz guitarist Barney Kessel's song of the same name, but Dilla, in producing his own version of the song, only selected one of the most popular samples. fluids. What jazz artist Herbie Hancock misquotes Miles Davis called: “Butter notes? Buttery can mean fat, and fat can mean obvious where there's no tension, no noise, just smooth butter. I think people could easily think to say that these producers sample songs like this because they sound good and not crap, of course they are, no one samples by shouting, well some people do but their music is not very good. But I don't think that's the reason why, there was a little tradition in jazz rap precursor to lo-fi where the producer generally sampled American or Cuban jazz artists. And one of the first to break with this tradition was Japanese producer Nujabes, who sampled a Japanese pianist like Noriko Kosei. In doing so, he steered jazz rap toward what lo-fi sounds like today, because Japanese jazz is much softer than Western jazz. For example, comparing John Coltrane's version of I Want to Talk About You to Ryo Fukui's version. Guess which version was sampled by lo-fi artist Knxwlegde in 2014? Ryo Fukui's version. It is truly an instant sampling of an instant sound, as jazz is not bound by the strict rules of classical composition and is usually improvised by.