I believe that family plays an important role in shaping the minds and characters involved in famous films, because we, in As children, we are shaped by what we see our parents do. , they shape and shape our behavior. In this essay, I evaluate my opinion by exploring the main importance of family influence in the lives of the characters in the film: The Godfather. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”?Get Original Essay The first film in the trilogy tells the story of a traditional American family, specifically from New York, who, like many immigrant families struggle to meet their needs. the traditions of their country of origin (in this case, Italy). And like every family in America for almost 50 years, it had its head, the head of the family, its boss Vito Corleone (Marlon Brando), who is not only the head of your family but also the crime boss in everything the country. His main activity is to ensure the safety of his "friends", doing ethical, not legal, favors. At the wedding of his daughter Constanzia 'Connie' Corleone (Talia Shire), his house full of guests and important family, Don Corleone divides his time between work and partying, this is when his godson Johnny Fontane and singer (Al Martino) is asking for help to star in a film (with) whose studio head, Jack Woltz (John Marley), is strongly against his participation. That's when The Godfather intervenes, pulls his strings and when he sees that there is no agreement to be made, he puts the favorite Woltz horse to sleep with his head next to its owner. And this is where all the problems arise, and where the great North American criminal families in conflict, and in particular the Corleone family, are shaken. The plot already begins by putting the Gangster in a worshiping position. The guy does everything bad in the world, kills people to gain everyone's affection and friendship, is the king of hypocrisy and American moralism, but he is such a charismatic figure that he makes us hope to the viewer that the ills of our dear Don Vito Corleone disappear. RIGHT! And how does this happen? It is enough to talk about the character of Marlon Brando to understand a little: a caricature of such a mysterious guy, full of secrets, failures, sins, ways, wrongness in almost everything he does, and his love for his family (for his whole family), but mainly for his son Michael Corleone (Al Pacino), this is the main reason why all his faults are justified (as if we could justify the death of someone 'one to get what one wants) by the spectator himself. And of course, we have to talk about the details of the character of Don Corleone, with his twisted mouth, his nasal voice, his posture, his gait, the hand on the chin, the worried look, the nose always raised, your pet cat , the firm sentences, the authority, all this turns out to be part of a complete package of the King of Crimes. Michael Corleone, the role of Al Pacino's master and the protagonist's favorite, is the key to any resolution of all long-standing problems. He begins to follow firm and strong in a style and a way of thinking (boy full of good principles who had just won a government medal for his honor and his participation in the 2nd war) who then, to protect your father well- loved, changes completely. a world he swore would not be yours. This sudden change is also part of a big move (master Francis Ford Coppola, director), changing the protagonist of the first film: Marlon Brando plays the role of the protagonist, being so famous Don Vito Corleone, while Al Pacino wasjust (not so fair though) Vito's son and protégé during the plot there is a change in roles. When Michael Corleone finally becomes Don Corleone and the Godfather, Marlon Brando, sees his role changed, becoming his beloved son's protégé, and the best - without reducing any of the importance of their role. Perfectly integrated into the system, a year after his arrival in the United States, Vito Corleone seeks to found an educated family, and their economic and moral empire consisting in part of the power he exercises over his associates and subordinates (the first, journalists, politicians, police officers; the second, henchmen, family friends and favored friends), partly on his own family system. It was then that, sometimes supported in the technical field and experience recognized by the powerful and their associates, sometimes recognized as the living tradition of the family which relies on the money collected by Corleone and a more traditional, exactly charismatic loyalty, as in the figure Vito Corleone mixes within the typology of domination, rational domination (subordinates and associates) and traditional domination (children, grandchildren, spouses). We therefore do not consider that the Don enjoys charismatic power because no one is placed in the position he occupies: no one brags about his actions, not everyone likes what he does and nor are all allowed to question the reason for their actions. The obligation to stay in the family is traditionally an act of obedience, a rational act in relation to values ​​and sometimes goals. Don Corleone's obsessive quest to keep all the children close is his trademark. Without warning, he tries to be the omnipresent father to everyone. You can imagine an unconscious attempt not to leave anyone helpless, as was the case throughout childhood. Interestingly, the mother's imagination also lacked her affable, almost maternal tone. The character of Robert Duvall always caught my special attention, because even though he had no Italian blood, he was adopted by the family. He is the (advisor) and acts as a sort of mentor and bureaucratic businessman. A lawyer by training, he knows the procedures of the American jurisdiction and evolves with discretion and complete autonomy in politics and crime. He uses office language to divide up the dirty work and make it seem like it's just keeping up with paperwork. His firm expression, mixing a slight smile with a shrewd cynicism, makes him a key and discreet element of formal outfits, after all, the other kids are still having fun and enjoying the perks of mafia wealth. Tom does not benefit from these advantages. He always acts seriously, at the epicenter of decisions, setting the bar here or there, almost imperceptibly, hiding the evidence of the murders and the negotiations are successful. Don Corleone knows the firstborn who did it. Sonny is the owner of impulsive, sexualized and reactive behavior, is never put at the forefront of decisions. In a scene in the middle a father gives him an indirect negotiation, saying: "A man who devotes himself to family will never be a real man." Freda is Vito's second son and often acts as if she is unaware of the business. In this classic scene in which Don Corleone is shot, Fredo is unable to guard his father and can barely hold the gun in time to return fire. His father knows the child's indolent and cowardly character. And for this reason, he rarely leaves anything under his command. Although he is one of the possible natural heirs to an empire, he has neither the prestige nor the consistency to put things in place. The term famiglia is a.