As part of this project called Kaleidoscope - an analysis of animal art, I would like to discover and study the detailed anatomy of different animals, as well as the way in which animals are represented in this work of art. I am researching this topic to better understand how animal physiology is represented. I chose this theme because I have a goal of becoming a veterinarian and I believe this project will help me develop a better understanding of art history and animal physiology, and will also push me to have a deeper passion for my future career in veterinary science. Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”? Get an original essay Since artists traditionally use animals to depict religious rituals, mythical creatures, incarnations of gods and goddesses, symbolically in the Christian art or simply as beloved pets. . The human mind has had an intense fascination with them since the first known cave paintings 40,000 years ago. Yet today, with the growing acceptance of self-expression and the testing of social boundaries, the luxury of freedom offered by contemporary art has reduced animals to such inanimate material as paint or clay. While some consider the exploitation of animals in art "unethical" and "offensive" because of its barbarity, others look beyond the physical presence of animals and contemplate the symbolic meaning of the work. Artists who use animals for personal expression seek to address a perspective that confronts the viewer and sparks a discussion that would not be possible without a shocking use of the medium. But how do we define the line between freedom of expression and the unnecessary slaughter of innocent animals for shock value and publicity? Damien Hirst's works support this discussion - his works interpreted as either controversially pushing the boundaries or brilliantly addressing issues and ideas prevalent in the world he and the audience share. The works of contemporary British artist Damien Hirst are essentially built on the essential dilemmas that surround the human being. existence. The use of dead animals is a frequent theme in Hirst's installations, forcing viewers to reflect on their own and society's attitude to death. Its recurring themes include the fragility of life, society's reluctance to confront death, and the nature of love and desire, often dressed up in titles that fall somewhere between naive and hypocritical. The artist explores death in a way that shocks his audience into it's barbaric blood or causes the viewer to question their morals as they admire the luxurious and evocative truth his works provide. Hirst's first kaleidoscope painting was created in 2001. It was inspired by a Victorian tea tray he found on one of his research outings. They are made by arranging thousands of different colored butterfly wings in an intricate geometric pattern on oil paint. Works from the Kaleidoscope series were first exhibited as part of "Romance in the Age of Uncertainty" at White Cube in 2003. The Kaleidoscope paintings reference the spiritual symbolism of the butterfly, used by the Greeks to represent Psyche, the soul, and in Christian Images to signify the Resurrection. Their titles often refer to Christian iconography. His Kaleidoscope series was not the first to include.