The Journal of English Literary History states that "The Image of Little TC in a Flower Perspective" is characteristic of Marvell's poetry both in its complexity and in its subtle use of superficially "romantic" or decorative details. The extent to which Marvell uses figurative poetic details and symbols to depict common concerns throughout his poetry is this. which elevated him to the rank of legend The subjects addressed and particularly highlighted in “The image of little TC in a perspective of flowers” ​​are: the loss of innocence and the fall of man from the prelapsarian world. Moreover, to represent these ideas, Marvell uses the poetic method of floral imagery in. violent videos should not be banned”? Get an Original Essay Getting Started “Little TC’s Photo in Perspective.” Flowers", Marvell uses the metaphor of the "nymph" to describe a little girl, believed to be Theophilia Cornewell. This introduces the theme of innocence from the start, as in the phrase "This nymph begins" the imagery of an ancient tree-dwelling creature is created and TC is given some piety. Additionally, the use of the word "nymph" implies virginity and purity, because the beautiful nature in which these creatures live has not been touched by evil gods. The use of "nymph" imagery is particularly apt for the "green grass she loves to lie on", as Marvell is not just creating the feeling of a pure being, wandering through a garden without worry about nothing. He also uses the alliteration of the euphonious “g” to lull the reader into a sense of calm. This theme recalls one of Marvell's original beliefs, that of the Platonic vision of an intact soul. The small TC of the first stanza represents the soul which exists in the world of forms, in the Christian case, heaven. We will quickly realize, as Barbara Everett suggests, that the length of the title is perhaps “bigger than the little girl to whom the poem is dedicated”. We learn that the evils of the world force the soul to lose its purity, much like the Platonic soul which becomes deformed upon entering the world of "Nouminas" (humanity). Ian Ousby suggests that we are dealing with "a complicated contemplation of innocence" and this is illustrated in the phrase "green grass, it likes to lie", because the inverted syntax of the phrase places "green" as the subject. This could well refer to the serpent that deceived Adam in the Garden of Eden, just as sexual desires must deceive little TC in a world of domination and impurity. Additionally, the hissing throughout the line further suggests the impending loss of innocence in the face of external desires. Finally, the ambiguity of the word "lie" leads the reader to believe that this early innocence depicted may well be a facade, illustrated by "Let me be in bed" in stanza 3. This idea, the loss of innocence, is represented in “The Nymph Complaining of the Death of Her Faun” through similar representations. In this poem, the speaker is a nymph lamenting the death of her fawn. It begins the same way, with the nymph shouting that a band of “blind soldiers” have shot her fawn “and it will die.” She notes that the fawn never harmed these men. Just as in "...little TC...", the fawn is described as a "pretty hopping grace" in the garden, an image that creates the impression of a small child galloping across a clearing. Furthermore, Marvell associates the nymph and her fawn with white,so-called color of purity. This additional representation of innocence makes us regret even more this loss of innocence as it is harshly trampled by the intrusion of men. This general concern with innocence which is so frequently evoked in Marvell's poetry and illustrated by the nymph's description of the calm and innocence of the fawn in her garden might echo well with her view of Charles I as he faced his tormentor, a man, confronted with the ultimate loss of innocence. Marvell's concern with innocence is strongly linked to his concern about man's fall from the prelapsarian world. Joseph H Summers noted that “the photo of little TC in a flower perspective is not a graceful trifle that somehow got wrong. It is a beautiful poem that illuminates Marvell's central vision of man and nature. This can be clearly seen in two separate images. First, the idea that “his golden days” were before external interruptions of hedonistic pleasures such as the quest for “triumph over hearts.” This image seems to strongly allude to life before the fall of man. The Garden of Eden was indeed free from evil desires and pleasures which are constantly described in Marvell's poetry, especially in "A Dialogue Between the Resolute Soul and Created Pleasures". This prelapsarian worldview is also represented by “gives them names,” where TC walks through the garden naming the “wildflowers.” This is very similar to the taxonomy Adam offered in naming all the flowers in the Garden of Eden, a symbol of the immense knowledge God gave him before the fall, as opposed to the weak epistemology we have today. The overall effect of the imagery of prelapsarian life is to suggest the immense struggles of hedonism and lack of purpose that we face today in a world where in reality, ethics and respect for " word of God” should reign supreme. Other references to the fall of man are found in Marvell's poetry, particularly in "The Garden" and "Bermuda". As Frank Kermode suggests, the title of "The Garden" alludes to the "earthly paradise", more commonly to the Garden of Eden. From there, Marvell goes on to paint the picture of abundance and opulence that can be found throughout the pastoral poetry of stanza 5. Namely, through the descriptions of "ripe apples" which “fall on my head”. This illustrates not only the beauty and perfection of “ripe” apples, but also the “drop” that follows when we try to enjoy the perfection of the lord. Moreover, in “Bermuda”, the small island illustrates the paradise on earth, which could only be reached in the prelapsarian era. The idea that the island "throws the melons at our feet" further suggests the perfection of the opulence of the Garden of Eden before the apple of knowledge was stolen. The overall effect being human anguish over our inability to achieve "heaven on earth" that was once felt in Adam's time. Finally, a common poetic theme used in Marvell's work is that of metaphors, represented through various flowers. In "The Painting of Little TC in a Flower Perspective", we are told that it is "only with roses" that TC "plays". The meaning of the rose is that it symbolizes love, affection and beauty. For example, in "A Little Budding Rose" by Emily Bronte, the poet compares the rose to love. It is a common poetic technique that has the effect in this poem of suggesting that soon TC will be playing with the hearts of men, much like she plays. with the roses. Moreover, the metaphors drawn from flowers are seen in 'The Mower against the Gardens' where 'The white tulip was..