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Essay / The Rise of Maoism in Ha Jin's in The Pod of corruption. Jin meticulously captures the panoramic view of unscrupulous China, witnessing the shuddering and decimation of the powerful humanitarian structures that once dominated the country. The strain in the religious fabric of China through the brutal intervention of forces tainting not only the rudimentary principles but also the fundamental belief system of the Chinese people. Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”?Get the original essayMaoism or Mao Zedong Thought is a political theory spread by the teachings of Mao Zedong, a Chinese political figure. Considered an anti-revisionist example of Marxism-Leninism, a resistance aimed at attempting to modify, revise and abandon the fundamentals of revolutionary theory and practice within a communist framework by its supporters called Maoists. The theory was constructed as a means to propagate the political and military ideology of the Chinese Communist Party (CCP) and as a fuel to propagate revolutionary movements across the world. The theory emphasized that peasants should constitute a significant insurgent class in China in contrast to the bourgeoisie and industrial working class and that peasants are more capable of building a revolutionary and socialist society in China. After the end of the Sino-Chinese War in 1945, the Chinese Civil War took place in which the Chinese Communist Party overthrew the Kuomintang-led Republic of China, followed by the establishment of the People's Republic of China ( PRC) loosely based on “mainland China”. With the declaration of the PRC, Mao's main goal was equal sharing of land and this novice communist belief clashed with Puritan views of total ownership of agricultural land. With the subversion of this rigid and complete ownership or austere capitalist society, Mao Zedong further expanded his attempt to eradicate the epidemic of capitalism in China. Mao's vision of a socialist community as a muscular ideology that would elevate China not only politically but also economically. Maoism, which was formed as a theory of resistance, not only opposed contemporary political theories such as Marxist-Leninism, but it also broke down the powerful religious belief structures of Chinese communities by questioning the very roots of its existence and propagation. Religious teachings including Confucianism, Taoism, and the teachings of various people such as Buddha. In the Pond of Ha Jin witnesses the tumultuous collision of pro-Mao China dotted with the strongly communist framework and the parallel value system evolving in a previous way by delving into each and every value and returning to the very embryonic version examining the rudimentary structure. The novel is rooted in these value systems ranging from Buddhism, Confucianism and Taoism into the colossal communist arena struggling to survive. Confucianism or Ruism can be described as a religion, a philosophy, a tradition keeping in the foreground the humanitarian or rationalist approach, a way of administering or in an elucidated form, a way of life. This can be traced back to the archaic teachings of one of the greatest Chinese philosophers Confucius. This philosophy initially emerged and developed from what would later be known as the Hundred Schools of Thought. Confucius who lived between 551 and 479BCE was considered a transmitter of the values of the Zhou dynasty which he spread during his life. With its strong resemblance to Taoist culture, the two teachings are kept in close proximity to each other. On a humanitarian and rationalist basis, the basic principles of Confucianism emphasize the importance of family and social harmony or Dharma in Hindu mythology. It distances itself from materialism and superficiality by keeping humanism as a fundamental value of Confucianism. It fundamentally accentuates the prosaic activities of human life, mainly highlighting the relationship between humans, as they are the fundamental source of the expression of true human nature known as "xing", which further acts as an anchor in Heaven (Tian) and respect for spirits and gods. (shen). In the Pond makes a subtle dig into pro-Mao China, when the very roots for which Mao Zedong subverted China's main and basic system. Ha Jin's portrayal of the novel's protagonist, Shao Bin, tormented by mundane distress, struggle, and incessant efforts to elevate his position from a prosaic manifestation of a character to a larger-than-life position. His schemes to expose the corruption of the leaders, Secretary Liu and Director Ma. The novel is meticulously set in a workplace called Harvest Fertilizer Plant and he does his best to welcome his wife, Meilan and two-year-old daughter into a room there. But because of cheap tricks and fakes, he always ends up getting nothing. His portrait as an amateur painter and calligrapher helps him expose the fractured system and the cracks and breaches that exist within it. In the Pond is a discreet microcosmic example of China's communist macrocosm. Jin tactfully lifts the curtains of a hidden front door and provides insight into the lives of ordinary people amid China's heavily communist backdrop and Cultural Revolution. The Cultural Revolution or the Great Proletarian Cultural Revolution, a sociopolitical movement launched by the leader of the People's Republic of China, Mao Zedong. This move marked Zedong's return and strengthening of his position after the bizarre ramifications of his old draconian campaign, the Great Leap Forward. The aim of this campaign was to transcend China by making it socially and economically sound, to push it into the vortex of transition, and to rapidly transform it from an agrarian society to a socialist society through industrialization and collectivization. Jin draws the murky images of common China while constraining in a small town called Dismount Fort. The novel takes place in 1977, a year later after the end of the Cultural Revolution. Jin, through his remarkable writing skills, attempts to incorporate the stained area and the ramifications resulting from the breaches and fissures in China. The dark images become clear after the economic conditions of the protagonist and the people living there begin to surface, revealing the corrupt and tarnished working conditions. An example from the novel is when Shao Bin writes a letter accusing Director Ma and Secretary Liu of lack of transparency in the system. “Where is the communist consciousness? Why are they more vicious and greedy than the landlords and capitalists of ancient China? Should they still stay in the Party? (35) The reservations and questions raised by the protagonist Shao Bin provide an unambiguous insight into a non-fictional China that tells a completely distorted story of the corruption prevalent in the country. The fundamental goal of the Cultural Revolution was to preserve and nurture the true communist ideology in China bypurging the remnants of capitalists and traditional China, which once defined the country as an agrarian community. The hidden motive behind this resistance of capitalism in China was to reimpose the Maoist ideology of a socialist country. The novel can be seen as an account of all the results of the Great Leap Forward and the Cultural Revolution, as it takes place against the backdrop of these gigantic and important movements. Ha Jin's assimilation of the Cultural Revolution and Mao Zedong Thought spirals. in a positive compass in his novel. The author's pro-Mao framework only exposes the vestiges of capitalism in the city. It can be said that the Ha Jin is consciously trying to skip the interim of the Great Leap Forward and be enigmatic about it when it culminated in one of the most draconian and massive massacres of humans by the millions that a century has ever seen. One of the instances in the novel where the protagonist Shao Bin idealizes Mao Zedong's ideology and attempts to spread his teachings through his calligraphy and art. “In his mind, Chairman Mao’s instructions began to resonate: “The boundless joy of fighting Heaven, the joy of fighting Earth, the boundless joy of fighting Man!” These words, representing the courage of the proletariat, warmed Bin's heart and invigorated his blood. regressive, the revolution as a whole brought the country to a uniform and homogeneous state of mind. Congruence in people's psychology has invigorated the country to a greater extent. Jin delineated a China that takes place in a post-Mao context filled with images and scenarios where capitalism, landlordism and primitive ways of life strive to resurface as the ideology of Mao Zedong with a greater inclination towards Marxist philosophy and his regime had just ended and still exerts a stronger influence on the people. The pond celebrates the ideology of Mao Zedong and is built by reinforcing the Great Proletarian Cultural Revolution of the People's Republic of China which transformed China from a politically and economically fragile nation into something powerful and muscular. Even the leaders who are presented as antagonists and present themselves as capitalists locked in the commune and in socialist society. Director Ma and Secretary Liu always follow the teachings of the Mao government. The antagonists, however, violate the fundamental reason behind the Chinese commune; cannot truly eliminate or detach oneself from it. An example in the novel is Director Ma's reaction when Shao Bin's painting arrives in the newspaper. “It's not our fault. When we were young, the government encouraged us to have babies, the more the better, and there was no family planning at that time. Chairman Mao announced at the conference: “Among all things in the world, human beings are the most precious. » (27) The recurring mention of Chairman Mao and his teachings in a positive way throughout the novel reveals political thinking to some extent. process of the writer himself. The writer's political views become clearer as the novel progresses. Through the protagonist Shao Bin, Jin intends to expose China wasting away again and returning to capitalist society where Bin sees difficulties in the crop fertilizer factory and is tormented by the leaders, revealing the precarious state of the political system China is heading towards. He tries to show the new gaps, cracks and fractures in the new political system and tries to expose them through his artistic talent. Through Shao Bin's calligraphy and art, he attempts to incorporate the methods and strategiesprimitive and traditional to fight against corruption and indecency of leaders. Through this, he propagates the power of art forms and how China believes in autonomous forms of art and how it remains a powerful tool to spread a message to more people. Truth and beauty go into a parallel concept and this is how the indecency of the leaders is revealed in the novel. “That night, he took out a large goat hair brush and wrote on a large piece of paper: “Yang Chen is still persecuting. Me!”…. To him, the five words seemed laborious and elegant, each one as big as a brick. (57) The infusion of conventional techniques into modern post-Mao China, such as calligraphy and art forms imbued with the novel, acts as a primary breach or crevice. This divide is of significant importance because of its traditional or primitive essence. These conventional tools have stood the test of time and are still arduous enough to exist as an entity. autonomous China has always been known for its unique culture and traditions and its distinctive nature sets it apart from other countries. Jin, in his novel, uses archaic methods and lets these tools exist in isolation, celebrating not only their uniqueness. but also their power, although threatened, still creates a deep dent in people's minds, such as inspiring them or changing their minds. One such example was when Shao Bin walked up the aisle to convey a. work of art and show the fraudulent nature of the leaders and change the course of many people to vote for the leader in the election. Understanding the primitive and archaic techniques and value system in modern post-Mao China are precisely these strategies that create gaps, fissures and fractures. There is always a stench, impression or influence of these techniques on modern sculptures. These techniques have evolved well over time and have filtered through that time, undergoing changes either on a colossal level or on a minimal level that doesn't really dissipate. The novels worked on two self-contained fragments or fragments oscillating between conventional and traditional concepts when these concepts are seen as resurfacing and another works on a modern concept of how these concepts have stood the test of time and have emerged with slight and large modifications. . Like a pendulum, Jin's In the Pond keeps swinging back and forth and sometimes overlaps the concept of archaic with that of new concepts and this novel can be seen as an exemplar, a microcosm of the ramifications that occur in reality. The value system assimilated by Ha Jin in the novel is the fragment of Religion. This fundamental belief system of China. Jin embodies this old-fashioned belief system to delineate transgression and fractures in post-Mao China. It renders the modified version, a filtered value system that has stood the test of centuries; Confucianism and Buddhism. Religion has always been seen as an entity that is, in some way, on the verge of colliding head-on with modern codes of conduct. Its existence is limited to an entirely different plane, with no possibility of overlap or coincidence. Its nature is purely autonomous and therefore it clashes violently as in a juxtaposition or conceit if only brought together without any modification or filtered system. For Religion to slide smoothly on the different planes without distorting the conduct of the Moderns, it must go through a phase of transition to synchronize and simultaneously offer a completely independent choice. This transition is inevitableas society advances, otherwise its puritanical codes of conduct could lead to the complete extinction of the disappearing entity. Religion therefore harmonizes with modern concepts, undergoing modifications, massive or diminutive, for its survival. Confucianism and Buddhism are two major belief systems imbued in Ha Jin's novel. The protagonist Shao Bin and his wife Meilan reiterate these traditional concepts again and again, either being influenced by them to purge the remnants of capitalism, or being inspired to continue their task by gaining wisdom from these sources. The excavation and selection of values from these traditional sources in the ultra-modern era acts as a transgression or a breach that allows access to another dimension: religion. There are many examples in the novel where Jin is seen reinvigorating rudimentary belief systems. “If only they had lived in Worker's Park, the factory apartment, which was only a hundred steps from the water's edge. These days, Meilan prayed to Buddha at night, begging him to help her family find an apartment in the park soon. (5) The characters in the novel draw on these traditional concepts and attempt to merge them into their modern, everyday lifestyle. Another example of the novel where Shao draws inspiration from the traditional concept, a belief system from the Han dynasty. “He remembered that the materialist thinker Wang Chong of the Han dynasty had said something about punishing evil with the paintbrush. This passage must have been in the pocket book The Essence of Ancient Chinese Thought, which he had read a few weeks before. (15) This is a recurring event when the protagonist Shao Bin was inspired by archaic value systems before waging a war against his leaders, Director Ma and Secretary Liu. We see him reading these old texts or remembering the belief system before engaging in any of the work he initiates. Jin's artistry in constructing his characters and rendering them encompassing traits that transcend them to the level of good or bring them down based on their choices as bad characters. We see that these characters work on three distinctive levels. Either they are very traditional characters and represent archaic culture and traditions. The second shot depicts modern characters with traits and personality representing values. The third plane can be called the plane of hybrid characters who exist simultaneously on the first and second planes or who swing like a pendulum between the conventional concept and the modern concept. Meilan is the initiator of the character representing traditional culture. She is the wife of the protagonist Shao Bin and can be considered the striking manifestation of Confucianism and Buddhist teachings. She preaches the teachings of Buddha and his belief system and attempts to create a real fissure in post-Mao China through her conventional character portrayal. It represents the ancient culture of China and therefore can be considered as the example of dying China. Other pure characters who are the manifestation of modern China or China after Mao are Secretary Liu and Director Ma. They are the new vestiges of capitalist society. These characters can be interpreted as a violation of Mao Zedong Thought and therefore become the first elementary choice as antagonists. They are the corrupt leaders and oppose Shao Bin as resistance to let him rise. These characters represent a China that is advancing at a rapid pace. The character in the third shot is Shao Bin, the protagonist himself. He is a character who oscillates between..
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