Gerard Manley Hopkins is a rewarding and demanding poet, one of the three or four greatest poets of the Victorian era. His style was radically different from that of his contemporaries. Without having detailed knowledge of his life, beliefs and any other context, we can read his poem with great pleasure. Through his love and study of nature, his doctrinal beliefs, and his technical innovations, Hopkins became a greater and more rewarding artist. In prose as in poetry, he closely observes and records nature. He thus developed a language to describe what he perceived – terms such as “inscape” and “instress”. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay All of Hopkins' poems have the immediate intention of showing the particularity of an object at a given time and he coined the word "inscape" to convey this idea. He developed a poetic language and a new rhythm, called "inscape". Sprung Rhythm' This is a meter in which the number of accents in a verse is reduced but the number of syllables is not important, thus allowing the poet to vary the speed of the verses in order to capturing the life of the poem In addition to developing new rhythmic effects, Hopkins was also very interested in ways of rejuvenating poetic language. He regularly placed familiar words in a new and surprising context. His early verses celebrated the natural beauty of. 'a manner reminiscent of Keats, but when, after his conversion to Roman Catholicism, he decided to become a Jesuit priest, he gave up writing poetry as a worldly secularist. natural speech: Indeed, one of Hopkins's earliest defenders, the critic FR Leavis, argued that Hopkins was the only English poet who rivaled Shakespeare for his poetic imitation of natural speech. His doctrinal beliefs also influenced his poetic innovation. It's not just that he became a Catholic, a Jesuit and a priest. He was also deeply devoted to Mary as the mother of God and to the doctrine of the Immaculate Conception. He was deeply moved by the idea that the incarnation, Christ coming as a man to share humanity and suffer, was part of a great project of salvation, preceding the creation of the world. He was strongly influenced by Christian beliefs and this belief influenced his poetic innovation. The concept of nature and self-care was very important to the Victorians. Like his contemporaries, Hopkins was also intrigued by the Victorian search to understand the idea of ​​self in relation to the new revelation of nature. However, unlike his contemporaries, Hopkins was strengthened by his Christian faith in his artistic pursuit. There is a metaphysical revival in the religious poetry of Coventry Patmore, Francis Thompson and Alice Meynell; some of Hopkins' Catholic contemporaries. But none of these poets were able to make an impact on their society or influence poetry in general. Only Hopkins succeeded in his efforts to usher in a new era of religious poetry after the seventeenth century. For Hopkins' poetry became praise and worship, an extension of his spiritual search. And his spiritual journey continued to be expressed through the religious poems written throughout his brief life. One of the important concepts in his poems is that nature meditates between self and God. It finds a flow of energy between God, nature and man. Nature therefore lies between God and man. Throughout Hopkins' poem there is a triangular system of relationships; the poet reacts to his subject, which.