This annotated bibliography provides a platform for understanding and research that can further complement the arguments made for the chosen statement. Diving deep into the depths that the film has to offer allows us to understand and critically analyze how Billy Wilder's "Double Indemnity" represents the genre, and establish the importance of the theme in the overall plot, defining the characters and an underlying motivation for their actions. Both Bronfen and Grossman offer an understanding of gender in film through the lens of the femme fatale, while Mallon's article focuses on the masculine gender and its deferences. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”?Get the original essayBronfen presents the Femme Fatale as a mode of understanding gender differences, recognizing the feminine attribute of ignoring one's own " fallibility”, while man is seen in an attempt to escape the knowledge of his own faults. The characters use their masculine or feminine characteristics to maintain control: while Walter is more attracted to Phyllis's sexuality, Phyllis attaches her revolutionary personality to the information and means that Walter provides her, i.e. his work as a insurance salesman. Presented as “sexually uninhibited and decidedly daring,” Pyhllis stands out from standard models of femininity, while Walter acts exactly as expected and uses Phyllis to fulfill his own “narcissistic sexual fantasies.” Grossman suggests that the cultural experience of gender has rendered a "limited image of a woman's role in society", and that the film noir of "Double Indemnity" offers a continued expansion of these restrictions, thereby attenuating gendered social spaces and critiquing gender differences, providing examples of what happens when women cross these conventional boundaries. His article highlights the diktat that forms between the two genders, as well as between the expected and actual behavior of the characters: between Phyllis the femme fatale and Lola, as well as between the male characters. of Keyes and Walter Neff, who form an “existential partnership”. Mallon argues that double indemnity represents the masculine gender as having a dark side. Using the tool of cinematic form, it establishes the role of the “male gaze” and accentuates the male figure by relying on Walter's voiceover in the narrative, while Phyllis is seen through his eyes as a seductress. It explains gender roles through “body language and character positioning” defined as being determined by power dynamics and the “distribution of familial, socio-economic and cultural roles as normatively accepted”; while specifically focusing on the male character going from heroic stereotype to a man trapped by "criminality". Mallon Supplements; understanding this by recognizing the contribution of the direction in Double Indemnity. Keep in mind: this is just a sample. Get a personalized article from our expert writers now. -kindergarten thesis”; she does not produce life, but rather becomes another man's fetish object. She adds, “she is not the subject of feminism, but a symptom of the male fears of feminism,” as if Phyllis’s unabashed sexuality were a danger to Walter and his manhood. She uses psychoanalysis to understand the cinematic form, proposing a new approach to the subject, and puts forward the idea that women are in a field of differentiation, from which she herself has been excluded. It offers..