Silver Linings Playbook was published in 2012 by The Weinstein Company. In the film The Silver Linings Playbook, screenwriter David O. Russell describes how real life is different from a normal American scenario. This film is aimed at a wide audience ranging from young adults to fifty-year-olds. Delving into the stories of the main characters, Pat Solintano and Tiffany, assumptions are instantly made about the direction of the film. Love is presented in the media as perfection. We aspire to the ideals depicted in films; the idea that a woman who loves a “beast” of a man can fix him, love at first sight is real, and that everything must be perfectly mended. However, the film uses the expectation of the "norm" as well as the reality of how real life works to expose the flaws of other forms of media that depict love and mental illness. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”?Get the original essayPat Solintano's story begins with his release from a psychiatric hospital after 8 months. Pat was originally put in the hospital because he caught his wife cheating on him and he beat the man almost to death. As his trial unfolds, his unknown mental illnesses, bipolar disorder and OCD, provide context for his outburst. His wife decides to leave him and his life falls into ruin. David O. Russell uses the pathos style of appeal to make the audience share the pain Pat is feeling. Pat told her therapist, “So yeah, I broke down. I almost beat him to death, but then I get punished for it? Am I parallel to my father? I don't think so... After the incident, I realized that I had been dealing with this problem (bipolar) my whole life. The audience feels the hurt and sees a new perspective on a Hollywood relationship. Most films depict the broken man, healed by the love of his wife. However, Pat has been broken his entire life and pushed to the point of no return by his circumstances. The writers play on the emotions of what it feels like to use them and show their audience that relationships don't always have a happy ending. life is hard and the suffering is real. The main plot of the story concerns the relationship between Tiffany and Pat. Tiffany is from Pat's neighborhood in Philadelphia and was recently widowed. Although Tiffany shows signs of bipolar disorder, it is never said that she has been diagnosed. Both Tiffany and Pat are excluded from their community and Tiffany offers to help Pat get his wife back if he enters a dance competition for her. Russell uses Logos in the opposite way that should drive the film's plot toward the most satisfying ending. As Tiffany and Pat meet, the audience assumes that they are perfect for each other because they are both singles whose past relationships ended in tragedy and left them broken. However, when they run side by side, the two men yell at each other and Pat tells Tiffany, "At least I'm not the big bitch!" ". Tiffany then yells at Pat, "I used to be a big bitch, but I'm not anymore." There will always be a part of me that is unkempt and dirty, but I love it, along with all the other parts of myself. Can you fucking say the same thing about yourself?! Can you forgive? Are you good at this? It's not clean. It’s not “cookie cutter” and Russell makes sure the audience realizes that. The logic behind this is that audiences have repeatedly inhaled the silly idea of ​​love at first sight with a little hiccup. Russell challenges media misconceptions by showing a relationship that is hiccups and not..