In Jane Eyre by Charlotte Bronte, the setting is used as a tool to reflect the difficulties experienced by her protagonist, Jane Eyre. The locations where Jane resides play a vital role in determining what actions she should take next. Her ephemeral residences demonstrate her incessant desire to find purpose in life while respecting the 19th century social codes that restrict her. She struggles to maintain her self-esteem, but is aware of the conventional subjugation of women that she is expected to respect in Victorian England. This ever-changing setting is a manifestation of Jane Eyre's struggle to find permanence that satisfies her desire for personal fulfillment. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay It is at Gateshead Hall, home of her prejudices and her insensitive aunt, that Jane begins her journey. The opening of its doors symbolizes its departure into the world to experience life independently of any guidance. She leaves at dawn and “whirls toward isolated and mysterious regions,” signifying the beginning of a new life free from family ties (35). His arrival at Lowood, a restrictive boarding school, begins during a harsh winter "frost-stiffened, snow-shrouded...[with] mists as cold as death" that reflects the miserable loneliness of adjusting to routine oppressive school. Over the years, Jane realizes that the experiences essential to her aesthetic needs "all lie outside the high walls protected by spikes" (68) and that she must break away from her life of uniformity to "seek true knowledge… in the midst of [the world’s] perils.” " (77). The change of scenery, the "quiet and solitary hills [that] embrace Thornfield", where Jane is a governess, offer hope in her search for personal fulfillment (91). The lack of formality beneath the direction of the owner, Rochester, allows her frankness to express itself without conscious restraint The “splendid midsummer [with] skies so pure, suns so radiant” reflects the contentment she feels at Thornfield Hall. , on a par with Rochester (234) She is, however, shaken from her complacency by the discovery of her first wife, prey to madness While the madness of Rochester's wife slowly extended its influence over Thornfield, so did the ". "black clouds were rising over [the sea and] the moon was setting in the waves, wide and red, like a hot cannonball" (293). , without support, the more she will respect herself” (302) In search of a happiness that does not transgress the laws of God, she leaves Thornfield with the rising of the sun, a symbol of another life from which she must leave. After leaving Thornfield, Jane's transient home is Whitcross, a stone pillar where four roads cross. This crossroads represents Jane's aimlessness and uncertainty about where her life might take her, as well as the vulnerability of her situation; she realizes that until now she was financially dependent on others. Moor House, where her three cousins ​​live and where she resides, is a humble abode "very simply furnished, but comfortable" (328). Her modesty contrasts with Thornfield's grandeur, but Jane is able to "understand this feeling and share both its strength and its truth." [There were] so many pure and sweet sources of pleasure” (334). She develops an intimacy with Moor House, its people and its pastoral lands. Jane's final residence is in Ferndean Manor, where "the wood of the dark forest which surrounds it grew so thick and.