"Strawberry and Chocolate wants to signify how political and social ideas can be changed through compassion and acceptance, and as Shields (2004, p.242) argues, " through a postmodern process of image creation. As we see the values ​​of David, who navigates Cuba as a Marxist and committed to revolutionary change, as Diego educates and introduces him to a world outside of the Castro regime, through products and culture rejected American artists. this in the final scene before Diego's departure for Cuba. David eats the "gay" strawberry ice cream, as Diego comments to David, "The only problem is you're not gay," to which David responds, "No one's perfect." » showing acceptance of homosexuality and the process of change. Diego decided to leave Cuba, as Strawberry and Chocolate shows the flaws of the revolution (Dennis, 1995) with Diego's options limited due to his sexuality. For a successful revolution, there must be government. more open-minded about sexuality and culture. However, with the success and breakthrough of Strawberry and Chocolate showcasing Cuba's social and political issues, gay rights in Cuba are now openly debated and discussed (Dennis, 1995). Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”? Get the original essay Within Moolaadé, we witness Sembene's desire to change social behaviors in Africa, we see this when Collé explains to her daughter that uncircumcised women are good wives, "A Bilakoro is a good wife", Amasatou's last words represent the slight glimmer of hope for change within the village, "I am and I will remain a Bilakoro" . Amasatou does not change herself for a man and defends what she believes. Like Battleship Potemkin, the film can demonstrate how a lone activist, defending what he believes to be a basic human right, can become a supporting force for change for the better. As we also see hope through the elder's comments, "I regret having had my daughters circumcised, Allah is my witness, no other girl will ever be circumcised." Overall, based on the study of Battleship Potemkin, Moolaadé and Strawberry and Chocolate, the viewer is able to critically discuss the different ways in which socio-political issues can be presented in cinema. All three films achieved enormous success in eliciting a political and social response, whether through cinematic elements, aesthetic cutscenes, or the power of a strong narrative. It all depends on the type of socio-political problem that the director wants to convey to the audience, it will all depend on the type of filmmaking method he will use. For example, editing was used in Battleship Potemkin to create tension and a powerful individual emotional response. As well as sparking political debates and discussions on closely related issues such as class, human rights and religion. Moolaadé used the power of storytelling within a strong community of women to stand up and fight for what they believe is right. Regardless of their age in the film, they all have a voice and an opinion. They are not presented as victims. Therefore, the viewer engages with the success of the women in the story and therefore critically discusses the socio-political issues of contemporary Africa. Finally, we have Strawberry and Chocolate. Strawberry and Chocolate, does not use any aesthetic technical editing or camera work, but rather uses cinematic elements in its production in order to discuss socio-political issues. Even if these.."