While colonization is often characterized by the establishment of a central power defining the social, spatial and economic processes of a society, it is only the basis on which societies begin to develop their own identities. “In a world where institutions are reflected in building types” (Blundell Jones, Peter, 2002: 241), we recognize the importance of spatial categorization and architectural design in establishing relevant hierarchies for societies subsequent ones. Through the comparison of various texts, this essay will explore the relationship between colonialism and the successive developments of societies in the form of architectural styles regarding cultural influences, particularly in the era of modernity. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Modernism is an international movement that emerged in response to global changes as well as social and technological advancements. Appearing in the 1920s, the architectural style emphasizes function, simplicity and rationality; this defined a new way of thinking in relation to the cultural advancements of the time. The development of modernism seemed to spark controversy where, according to Peter Blundell Jones, suddenly "the local food market was largely an anachronism", begging the question of "what the public domain is or could be …as we have witnessed the erosion of its ancient forms.” Furthermore, Jones also presents the environment as a major vehicle for change, arguing that "the planet simply cannot sustain endless rebuilding" (Blundell Jones, Peter, 2002, 244). The urgency and need to engage with what exists has been realised. The value of place and cultural identity, concepts established during the era of colonization, have remained relevant and useful in this period of modernity where societies have understood the need to maintain what was pre-existing. A good example is that of the General Post Office in Sydney, Australia. Built in 1830, the Sydney GPO is of major significance as it reflects the history of its programmatic services dating back to its conception. With the potential for archaeological discoveries relating to construction, lifestyle, etc., we can interpret appropriate methods of conservation. This ability of buildings to tell us about the past is incredibly valuable and highlights the importance of looking at pre-existing structures that inform us about our country's past. Alternatively, in 'The Encyclopedia of Australian Architecture', Philip Goad and Julie Willis posit an alternative narrative to modernism, according to which to understand how to positively engage with the new architecture, we must be 'informed by the practices and understandings of the continent's first inhabitants. This philosophy differs from Jones's aforementioned ideas, which implied that the harmful effects of architecture were driven by supply and demand "under the influence of global capitalism" (Blundell Jones, Peter, 2002, 244). Conversely, Goad and Wells advocate an architecture that recognizes colonialist characteristics and indigenous presence. Furthermore, the gold rush of 1851 and the emergence of modernism saw Australia change massively and subsequently experience major expansion, resulting in the eradication of much of the existing architecture. This caused tension between architects interested in continuing the work of modernism and those advocating the preservation of colonialist styles. Also often referred to as the International Style, modernism continued in.